Tag Archives: mortality

Poem

Introit

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Midnight, stillness:

July’s seared page turns and a breeze

Lifts over the garden of weary roses.

I step out over patchwork grass–

,

This is our hour, the moon climbing into the heavens,

Contrails and comets, the Big Dipper—quien sabe’–

The universe itself so carelessly lovely

As if a diffident god had cast pearls all about

For no good reason.

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If God hears the hungry and the desolate

If God bears the suffering of the world,

I don’t understand, I cannot imagine

What heart could absorb it all, the bereft mother animals

Lowing in the dark.

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Where does the sorrow in the world go, the child in me asks.

Into the dark holes in the sky?

Is it fuel for a fire at the edge of time,

Does it fan the flames of hell

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Does it become water, does it reappear

As mirth when a child is born

Is it a chimera exulting

in the proliferation of graves?

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But, I say to her, we were happy a second ago,

Wrapped in the wet and shaggy rapture

Of the animals that love us

And see out into the night

Deeply content, built of responsiveness and bone

Without dilemmas like ours.


So Very Noir….

The feet of a turnip-gatherer....

You can tell a lot about whether a person has given up by looking at them. You need to look at them closely, past how they dress although that can be a clue. You need to look at their legs, and if you can, their feet.

We hide our feet in our shoes. If we have short mirrors in our houses we hide the rest of us. But one day it’s inescapable– that we have clues that we are going going gone.

I must have tossed down a glass of melancholia before retiring to have written just this much. But hear me out. I know you will. You always do, you are so very patient with me, your worn out poet and would-be memoirist.

And, a I said, or meant to say, we– I– hide ourselves from ourselves. Last night when I couldn’t sleep, I finally sat up and turned on the light. I looked down at my legs, which preoccupy me because the one leg as I’ve noted elsewhere deformed and shortened after an accident and the rest of my body is curling over this way and rubbing against something the other way and I looked down at my lower legs and they look like they belong to a dragon.

It’s true. They swell. They are still in spite of everything strong legs but they swell over the tops of my Merrells and I will never have pretty feet again; they are drying up and curling up and my toes have gnarled and they tell me that I am 61, perhaps older if you look at my legs and feet.

When I wrap them to force the blood back up as I’m supposed to but forget to, I really feel like hell. I feel like someone from Slovenia who carries baskets of turnips from a field to wherever you put thousands of turnips, all day. That image might not be pc but it works for me. I am an ecological disaster embodied in a human being. perhaps even a disembodying disaster with an ecology, a de-evolving…

How did this happen– how did these become my legs, my feet? And meanwhile I have terrible tinnitus from grinding my teeth in my sleep and from when I was afraid to have a molar pulled and chewed on the left side, my jaws have worn unevenly so that at night they catch–

Like that. That enjambment and jamming of the jaw there. Making me very glad that I am long past sleeping next to anyone except a dog, because I can actually move my lower jaw around and click and clack to unhook it and that, like uncontrollable snoring, would surely be a turn-off.

It all scares me to death. More frightening is that I look at all of this winter come to the body and I am tired, and I resolve to push on and try to write something, to write the truth of it, how it is to lie in the night wondering when you will die and who will love you when the he the person who has cared about you for two decades…you/I can’t even say it. What will become of me and of us, my sweet, soft animals slumbering in the dark, one of whom heard me typing just now, my gorgeous flaxen European Golden Retriever, 1/4 of her descended from Tess, the matrilineal line of my dogs meaning more to me by the day, an imprimatur that I was here, the canine succession– than the status of my own body even though I know it is the listing summer house for my being….

Once upon a dream I was pregnant and then it ended. Thin, radiant, I wore my mother’s wedding dress on a blazing June day and like a cloud the marriage passed by, disintegrating into rain and I gave the dress away and then over the years I like everyone began to deform from the weight of life.

I watch people my age jogging along, biking along, going off for a latte after a swim, willing themselves to haleness and heartiness and I look at my own resignation and how my view of things has changed along with my tiring body. For example, I now believe in assisted suicide and I didn’t before. Everyone has the right to throw in the towel, I believe now. Morphine please, and a big dose of Bach, my hand in my dog’s soft coat…

My feet would like to give up. As would my legs. They have given me every indication that they are tired of it, of being at my disposal, forced into the darkness of my shoes and made to tramp across the hours, and neglected simply because they are far removed from my brain, the part of me that is still luminous and inquisitive and they are far removed from my breasts which have not yet- yet– sagged, flapped, grown something horrible within that becomes an incursion of terror with which I then at last make myself go out the door to the doctor.

I spend a lot of time lying in darkened rooms, shutting out the light. I often type with my eyes closed, as now– yes, the eyes don’t have it, so to speak, any more. And don’t get me started about the teeth which we can hide too, in random moments rinsing with peroxide, remembering out of a daze to floss as if doing it every few weeks would do any good.

Then we have those moments of cresting desire in a body that does not feel like ours. What to do about that. Once in awhile, now and then, because it is probably healthy and because it feels so very good, but not so often any more. That crazed lust of youth and the midlife surge are all gone but sometimes, in random moments, that part of me demands my attention and at times I assent, whispering to myself, “You deserve this: your body has not abandoned you.”

Like hell.

I think I drank a glass of darkness, I feel so very noir. I’m not stoned, not high, not drunk, just tired. It would be a good tired if I could but sink below the surface of all of this middle of the night thinking, endlessly thinking, like a motor, my brain hums along spinning things but its bearings are as dry as my feet; they need to be oiled. And that damn singing of telephone wire in the wind deep within my ears.

Really, it would all go better if we weren’t alone as we fade, had been able to see that a chasm was opening up between ourselves and others in time and been willing each of us standing on the other side to build an emergency bridge. But we couldn’t or didn’t and so when first light comes and I can see, we, Tess and I can and will, by will as in volition make our way sideways down the metal stairs, to the truck, down the road where the huge mares may have foaled in the storm and we should perhaps avert our eyes because we have seen and lived quite enough but perhaps even in the storm a new foal knows enough to get up and keep moving, wet and shivering, to stay alive– to the small, orderly dim place where we live now.

That’s the ticket: keep moving, keep coming home to me, keep taking myself, the writing I, the fearing I, the seeing eye, all of us, home….. home….on little dragon-feet, gnomish, gone to ruin, like a geriatric E.T. only taller and no mother ship in the gloom sweeping in to save us.


Winter Mares

Our old mares readily fade in the dusk; sometimes I think that I can see through them– distance, the outline of mountains, the bare trees of winter.

Two barren old mares, two old dowager aristocrats. Today they were side by side with heads down, at the height of day.

Then, one folded up her legs and lay down.  The other looked at her, looked over at me, pricking up her ears; then she too folded her legs and settled against the warming earth.

Around Thanksgiving, we had one grey mare and one sorrel mare.  Our sorrel mare had a very bowed leg, somewhat like mine.  She had graced the pastures of the acreage  for many years.  One morning she  began to lie down, and have trouble getting back up.

We let her go then, into the good sleep.  My dowager mare April stood over her, lingering there far into the night.

I had worried about one horse being alone, and so had another mare brought over.  She came with papers that I researched, burning the midnight oil, in a search that took me to the Nile Valley, to Libya, to England.

For a time she stood off alone at the edge of the field. Over the winter they have come closer to each other, standing in alabaster stillness in the twilight, barely visible slow-moving shapes under the stars.

The oldest of the two, April, now in her 28th spring and stocked up so that she walks stiffly,  is the one I fell from, ripping my leg out of the stirrup. It was my fault; I hadn’t checked the cinch.

The youngest, the new arrival Bronte, beckons me with her oblong dark eyes.  She is used to being hugged by a woman, brushed, and raced around barrels in a sandy arena.  Perhaps I will find a proxy, a college girl to untangle her mane and take her out on the trail.

In two months the delicate grass shoots will pop up one warm afternoon and they will drop their heads and graze all day.  The lush grasses in the loamy clay along the creek will grow and bend; young cattails will come back to life in the creek bed and redwing blackbirds will fly into them, swaying there, singing.

ii

In my apartment in town, on a round cherry table given to me long ago, I have a photograph of myself on a grey mare,  her dark colt standing against her flank, looking at the camera with his ears up.

During a cloudburst in June she had stretched out in hock-deep fresh straw, pushing hard, nickering, and he had slid into my lap.  Within hours he was up and nursing and within a day or so we were all off together, riding up into the cleft in the mountain behind the Joder Ranch.

In the photograph I am caught in time, my hair dark,  a pink turtleneck, black jeans, old boots, and a black Western hat shading my eyes.  I am smiling.  Shortly after the photo was taken I raced into the arena to show off the colt, tearing around at a dead gallop.

One day I rode out with the colt following and a pack of coyotes saw us.  They came toward us and we took off for the ranch, the baby running alongside, keeping up.

I go out to see the two grey mares each day.  They look at me with their k0hl-rimmed eyes.  Tess sits next to me in the  truck, and we watch them until they fade back, blending into the dusk, the mountains, the pale sky.  The first stars come out; the Big Dipper spills light over the creek.

When I was a little girl I saw a movie about two children stranded on an island. They had a white horse with them, and they climbed on her back and she swam out.  Then the movie faded to blackness.

One day I will ride out on a grey, dark-eyed mare to meet my family at the river.  They will all be gathered there, their woes abated and their wounds healed; they will be waiting for me,  on the backs of the horses that faded into light before my time.


Mozart and Tapioca

(This post is dedicated to dear friend Tom Wayman.) 

Again Sunday, and the ascension of the voice in the exquisite Mozart Requiem. I was blessed with sleep– “the gift of the Gods”– and the morning sun melts the frost on car windows in our parking lot. 

I am thinking about time and making something of it. A friend has written to me that we must write “…before we are face down in the tapioca,” in his spot-on, wry way of hitting the nail on the head. 

I get a good visual on that one from my stint in a nursing home, where I became acclimated to an unspoken axiom: “That which goes down the gullet is likely to come right back up.” I think of little withered, crabby John in his wheelchair, how he would often toss his cookies without warning. 

He would also on any given day, park in his doorway across from my room, and train his eyes on me like an angry sparrow. 

One day he rolled over to me as I was preparing to leave my room and extended his leg and foot, where untied laces dangled from a faded brown shoe. 

I braced his leg across my good leg and tied the laces into a double bow. He saluted me, and rolled away down the hall, toward the dining room, where he deployed his favorite game: to pick up the flatware at each place, rearranging all of it, with grimy fingers fresh from picking his nose. . The cook would come flying out of the kitchen, enraged. 

He would scoot away, to the coffee bar, and looking at her out of the corner of his eye, pour himself a cup and keep pouring, so that coffee would splatter down on his pants and off the edges of his wheelchair to the floor. 

Well aware that there was little sand left in the upper half of his hour glass, he was determined to amuse himself. 

Face down in the tapioca. It is said that as he lay dying, Mozart whispered the last bars of the Requiem to his friend. Others say he didn’t quite finish it. Nevertheless, it is fabulous, with a driving, potent momentum evocative of God lashing cloud horses across the universe from a chariot of fire,  on a mission. 

Suddenly, face to face with my mortality via this exquisite singing, I feel transfigured, lifted out of myself and claimed by something my intellect can’t lay its hands on.   

I have seen only recently, that I have wasted quite a bit of time in trying to make external things the source of my personal happiness and fulfillment. I wish this weren’t such a long list and that I could turn back the clock: 

Put me in a man’s arms and suddenly he is my world. Put me in the Episcopal Church of my upbringing, and I make a structured spiritual life the source of fulfillment– until something goes awry, and for my own dignity and not secondarily, for the sake of my intellectual freedom, I must leave. 

Scare me into Alcoholics Anonymous and into the identity of “recovering alcoholic”, beaten over the head with the “Big Book”, told that I will disappear into the bottle if I don’t surrender to a Higher Power. As this is really about accepting my role in a hierarchy in which those with the most “time” sober are barely mortal in a newcomer’s eyes, and I am told that I am powerless, that I can’t manage my life, that only God can save me, when it is apparent that we have the freedom to destroy or save ourselves, it feels unsafe to make the identity of “recovering alcoholic” the source of my security. 

I know who got me out of a motel room when I was suicidal some years ago: it was me. Confronted with an option to die, or to face my own pain and keep on going, I chose life. I found that deep within, I was of sufficient value to myself and the universe to not cut my time short. 

We lose both ourselves and time when we give the power to define who we are to ideas, social, religious and political constructs, causes, significant others, to the idea that we are helpless victims of everything and everyone, to some false identity such as “criminal” or “mental patient”. We can, in our human vulnerability, disempower ourselves and waste days, months, years. 

On weekend nights I watch MSNBC “Lock-up”. I watch how some of those cope for whom Time has stopped. I see someone in for 35 years for armed robbery draw a ship to scale with a blunt pencil on a ragged piece of paper. I watch a murderer who has broken down in remorse on camera pull himself together enough to read aloud from a poem he has written: “The sun comes up over the hill like a pat of butter melting on cornbread.” 

If a man who will die in prison can write that immortal image, if Mozart can write music on his death bed, — music that imparts joy and fulfillment to the listener– each of us can lay our hands on our gifts: write, weave paint, comfort a lonely confined person, tie an old man’s shoe, be fully, and in the being, live, which seems to be what Time is for….we are mortal, free, even with tapioca in the fridge. And even, perhaps, this music suggests,  beloved beyond our comprehension.

 

 

 

 


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