Tag Archives: Memoir– Segments

To the Reader…

Fellow Cyber Voyagers:

I’ve posted this day on my political commentary page, a little diatribe.

Bear with me; those of you subscribing are getting notice of posts then pulled, as I come to terms with what to leave up, what to put on its own page.  I’ve also switched to a new browser.

Please feel free to send on links, leave comments, and sign up to receive notification of new posts. I also invite you to view my website– see Andrews on the Web–which I laboriously built with a “wizard” and custom graphics…aaargh.

Below I have posted the Prologue to the collection of memoir-vignettes that I have been unveiling on my blog– a work in progress.  See William Zinsser’s comments on memoir writing.  He say to write down a memory every day that has a beginning and an end and put it away– to do this for some time and then go back and see what patterns and themes emerge and put the pieces together.  That makes sense to me.

Again, all comments welcome; may we nourish and encourage each other as we write.


Prologue…Prose-Poem

So much waits for the hands of a woman, and such vast whiteness and the whiteness of silence, perhaps it is silence I need, and will need again and to shut out the light, crawl under my comforter; it is a day for self-comforting, pulling in, returning to hibernation, just for a time, finding some direction.  Hobbling through my house,  I slice red potatoes for breakfast,  peel the avocado grown tired of waiting. Snow dusts the juniper hedges,  the washer and dryer next door put forth no reassuring hum, no one else awake; are they all lost, or dead behind their locked doors, have I imagined neighbors….
#
In my dream my father and I are in a hot car in the desert; the painted desert, the telephone poles leaning like  civil war wounded in formation, lining the highway ahead, ninety miles to gasoline or water, he says I need to rest; be my look out and in my red t-shirt and shorts,  I sit in the car, watching hawks glide on currents, riding downdrafts, sailing back up with prey I cannot see.
#
He drowses and dozes and there is nothing to be done but to wait, in the silence, to watch over him; it is my job to be sure that something doesn’t crash out of the sky toward us, to warn him of a band of outlaws or a mountain lioness, apaches on war horses, gun runners… but finally he wakes… and I wake, still speaking to him what did I say to him, what were my child’s words:  wake, Father wake.  Be a father,  I was bait for the wolves.
#
I don’t know if we were safe in the cabins,  the adobes, no I know we were not, the chink of the ice into the glasses, the furtive return from the liquor store, the ritual making of the drink the holy communion that began in the living room, the rising of voices, the making of wounds.
#
In our room we held each other;  I rocked you and kissed away your tears, and read to you.  I went out to the adobe wall with Uncle Pierce’s calvary saddle and saddled up the wall and climbed up, you followed me and I held you in front me, imaginary reins in one hand, my arm around you;  they would, she would leave us alone out there, as she drank, she would become a child and he would tend her he would bend over her tenderly even if she had hit him or spit upon him,  my father, and he would carry her in and put her to bed, sit with her and I would hold you, rocking you in the darkness; I had stowed our childhood in fading boxes under the bed: the books, the rubber dinosaurs, the tin of watercolors, and when the house filled with water, you and I floated to the surface, swam hard, swam out into life with what we could carry, eagle hatchlings together, setting each other free.
#
My oeuvre is these things, these things and myths, the mythologies of absence and the history of neglect but we rise and go now with our grey hair, with our easels and computers and dreams condensed to wafers we pop under our tongues…..what medicine do you take, my dear one, off in the mountains, gone on, away from me..
#
Here, a choir singing Bach because Bach presses on; in a surge of tenderness I hide the lost mare and foal’s mane in the family bible, with the wildflowers. Sweet coffee this day won’t invigorate nor will the sugar crystallize into energy or the voice, a voice a woman’s voice a woman living alone’s voice rise into the silence except to tell the dog that not at this minute I can’t throw the ball the old I can’ts, the bathroom floor waiting for a sweeping, the romaine wilting in the fridge; someone must eat it, the fruits and vegetables gone to ruin.
#
Last night a man walking in the dark and snow without any beacon, walking down the road, shrouded  who was that where was he going and what if I had gone after him, old inveterate rescuer that I am, extracting a house-man or a husband out of the wild dark, veering off the road of my life, off a cliff:
#
Be careful when you wake up the past this way:  tread lightly because floodlights will come on and bleeding ghosts fall out of the stands and there will be old rivers to cross solely on the theory that you can swim.

The Compulsion to Blurt…

Suddenly everyone is writing memoir, present company included.  But this raises some questions for me:

Why?  Why has this become such a popular genre. It used to be that you had to live a full life to have anything to say about it all.

Especially, your culture and era had elevated you to “interesting person” status: a figure figuring in the scheme of things.

This seems to be changing.  Suddenly there is a panoply of people, principally women writers, writing “memoir”.  Calling themselves “memoirists.”  O.K.  Now we have a canon of memoir and the mss keep on coming: ask any editor indie or not about the slush pile.

Writing memoir has been popularized in large measure, within literary communities and creative writing programs.   Being around other writers triggers writers to write, but the danger is just as that peril existing in a flock of birds: if one goose heads slightly to the east, could the rest get hung up on telephone wire?  Over time, do not the members of a flock begin to resemble each other, evolving into maddening similitude?

In other words, how do you protect your voice, your perspective, the history of your time as you have lived it?  This goes, of course to the subject of community again.  Some bloggers are going so far as to call M.F.A. programs “mills”, and I have to agree.

You can grow as a writer and fortify your technical foundation getting an M.F.A.  If you want to be a teaching writer, you pretty much have to get it these days and even then, outshine everyone else with, at least, the brilliance of your oeuvre.

But the heavy guns in such programs can influence a malleable, growing writer to the detriment of developing his or her own voice.  And, as happened to me, the mentors you worship can have feet of clay.

Regarding writing one’s memoirs, it seems wise to consider what the point of one’s telling of  a life story is.  It seems doubly wise to consider that you believe:  a. that your personal history is part of a cultural and historical narrative b. that you are prepared to strive to bring that larger tapestry to life and c. that you are as gifted in the use of  language as Mozart is with an “allegro ma non troppo”…

Possibly, writing memoir is crying in the cheap seats.  It’s the easy way to tell a story; no need for character development; drop in the memory of a summer day in your great-aunt’s back yard, evoke it and presto; thou hast written.  Thou hast produced.   Call it memoir then, and it gets elevated to the status of ART.  Even better, sensationalize yourself:  embellish away, and write an expose’ with yourself at the center, as Andrew Young just did re John Edwards’ fall from grace.

Now.  I’ve been telling people I’m writing a memoir, but I’m having second thoughts.  I’m starting to feel like I’m swelling a progress here– see the poem Prufrock for that reference…or Shakespeare/Hamlet.

I think that I’m going to start saying that I am writing a series of personal vignettes.  Will that set me apart?  Or will it be craft.  Elegant, even beautiful writing.  Balancing the poignant with the hilarious, the tragic with the hopeful.  Personal experience showing forth universal truths and the dilemmas of our humanity.  Wow.  And I thought that I’ve been suffering with the death of ambition…


A few thoughts on self-exposure…

Last night, after years of telling and retelling a certain story to friends, I decided that I would make a record of the experience involved.  This was a piece that had to be written in the most relaxed possible state, to some sultry jazz.  It was a lot of fun to write and I didn’t come up for air for about four hours.

As I wrote a number of artistic questions posed themselves.  What exactly is memoir.  Why do so many people want to write it?  How intimate and revealing must it be to be authentic?  Where are the lines between fact and embellishment– few of us can remember all of the details of  our lives exactly as things took place, and so, our imaginative capabilities come into play.

It’s wrong to sensationalize and misrepresent something, of course.  But, the virtue of the best memoir is that it tells universal truths through the personal voice.  The story one is telling needs to have its own power, its own heft and significance, not just for the writer, but to reach the reader.

These last few days I’ve been tired and pushing myself to write at the same level as when I was caught up on rest.  I was frustrated enough by my dead ends to revise or pull the posts I thought were just taking up bits. 

Last night I think I hit my groove again and for once, my piece was chiefly dialogue as opposed to so much description.  Two characters talk together in the first part of the piece and two characters become involved in the second half.  Naturally I don’t remember things verbatim, but at least I can approximate what was said and give it color.

Now, about being self-revealing.  You can’t get much more frank than writing about an early sexual experience in the first person.  In my pieces posted here, A Writer’s Quest for Life Experience, or whatever I call it, and Invasion of the Sea-Men, I am open for the sake of telling what I hope are amusing and compelling stories.  The same goes for the current piece, which goes quite a bit further.  I denote one of the aforementioned posts as “racey”– this one is “steamy” but I would say, not obnoxiously so, not pornographic.

I conjecture that at 61 I am nearing the zenith of my anecdotal abilities.  I also have perspective on myself regarding having lived by the code of “carpe diem” for many years.  As I’ve mentioned elsewhere, I’ve written ad nauseam about heartache, and not so much about joy and connection.  I decided to distill the most memorable experiences and collect them and a number of them have to do with giving myself permission to live.

I may or may not post the juicy anecdote here.  Someone has already left a coolish comment that I am obsessed with sex.  Show me someone who isn’t and I’ll show you a corpse.

Seriously, I wouldn’t have missed a single exploit, for what it gave me, or what it taught me about me.  I seem to be able to tell a good story, and so I’m going to keep doing it.  It lifts my spirits.

When I was in the nursing home with my broken leg a few years ago, I had a wonderful roommate who recounted her entire life in her sleep.    She had a deep contralto voice that carried past the white noise I tried to create with a fan next to my bed.  I turned it off to this:

“That was just grand, my darling.  Now all we need is a towel, a wet washcloth, and a bottle of champagne.”

How wonderful!  Here was an eighty-year old woman, reliving the best moments of her life– someone who will never walk again and who has to be lifted in and out of bed.  She has memories of this caliber accessible to her. Of course, she could have been talking about a picnic, but I doubt it.

I am brave enough to offer my new piece to you via e-mail: palabrasymas@hotmail.com .  One day I hope it will accompany others in a volume of good writing by yours truly that uplifts and entertains others, that is on the lighter side…

I accidentally deleted a challenge from yesterday: to write about something you didn’t think you could do or were afraid to do, and overcame.

Today’s challenge: to open up a blank word processing window on your blog or in Word, and write one detailed page about the moment in time you are living, describing where you are, what you see, employing the other senses if you like.  The immediacy of the moment forces us to write with particularity, to observe and to articulate– let’s not censor ourselves as we go or self-edit as we write; let’s just write…..


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