Tag Archives: American West

Waking Horseless….

Before continuing with today’s post I want to profusely thank writer/artist Maureen Doallas for the opportunity to be interviewed on her splendid, much admired blog Writing Without Paper.  It is a thrill.  Please add us to your blogrolls!

Yesterday I surrendered to the need to unburden myself and my friend and let go of my last horse.  She was and is a beautiful Arabian mare, Amira Minjad, JL aka Bronte and she’s gone to live with an Arab/Appaloosa stallion named Picasso on a big ranch.  She’s in for a surprise or ten!

I thought I’d repost a vignette from March from a series of four about my time on the Joder Ranch in Boulder, in honor of the dynasty of Arabian mares I’ve been privileged to own and love. A poem in draft follows the flash memoir.

“While she was in foal, Majesty grew fat on the mash I made for her every day. I loved to make this mash, with corn and molasses and oats and bran. I especially loved to break flakes from the carefully selected sun-cured leafy alfalfa off the bales I had set aside for her.

At night I would go down to her stall. I would brush and put my head against her flank and see if I could feel her foal move. She would nuzzle me, and we would stand together for hours, shifting our weight from one foot to the other.

One day I decided to ride her up a draw that had been beckoning me from the north end of the ranch.

By this time she was fat and sleek, due to foal in about three months, gestation being eleven. She loved to be ridden; as we set off she would lift her head and walk in that proud, long Arabian way, her eyes great, dark, and glistening, her ears pricked for all that she could hear. She, like many Arabians, was “neurasthenic,” sensitive to the least sound, the smallest ripple of breeze in the grass. Riding her was always unpredictable, as she would suddenly stop, pretend to bolt, and immediately settle herself down, quickly deciding that a dog rushing a fence, or a plastic bag caught by the wind, taking on its own life out of a trail-head trash can, was nothing to worry about. Meanwhile my heart would be pounding out of my chest, but I would always feel victorious about staying on her and with her in such a moment..

On this particular day, both of us feeling confident, we climbed the gentle draw on the north end of the ranch. We were climbing and climbing; suddenly the trail narrowed and there was just a foot on either side. I consciously relaxed and kept my heels down to stay in balance in the saddle.

Suddenly, she froze in her tracks, one ear cocked back. We were on the incline. She began to breathe quickly. Then her whole body tensed and I could feel that she could care less that she had a rider on her back. She turned her beautiful, chiseled head, seeing something, and her nostrils flared.

When she began to tremble, I knew that I would have to find a way to get off instantly. There would be a wreck if I tried either to rein her in or to stay on. I looked down to the tiny ledge next to me, knotted the reins around her neck, and vaulted off, and crouched, clinging to some tufts of grass.

Majesty reared, pivoted on her back legs, and dashed down the trail. I looked up, and saw, coming up the valley, an enormous translucent hang glider sans its pilot; it looked like a giant prehistoric dragonfly as it drifted up the draw toward us. I caught my breath as it floated up over the spruce-covered hills and disappeared.

My legs were rubbery as I walked back down the trail. I could see that it was several miles back to the ranch and my heart sank. I thought as I walked of another ride on another horse, several years earlier, when we had become stranded on a rock field near Horsetooth Reservoir outside Fort Collins. At that time those with me, also stranded, had said, “You need to learn to trust your horse.” My mare had picked her way down through the rocks like a mountain goat, even though she was shod. Such is the prowess of the Arabian.

I rounded a bend in the path and a large lichen-covered boulder that obscured my view. I saw a horse, head down, grazing, on a level patch of meadow just off the trail. The horse lifted its head and turned toward me, and called. It was Majesty, waiting for me. Her eyes said, “Where have you been?”

“You’re a load of trouble, horse,” I said, walking up to her, putting her reins back over her head and climbing aboard. We headed down the path to the buildings clustered below us, the Joder Ranch  glistening in the afternoon sun, light glancing off the aluminum roof of the hay barn, woman and horse compassed to the familiar.”

A Draft

Patterson’s Foals

This year the foals in the field off Lemay

Come the same week as the lilacs

Mares standing in misting rain, slung

In the belly:

You know that when they stop eating

And put their heads down and lop

Their ears, all bagged up

And streaming colostrum

It will be that night

.

And you fly out in your truck

Along the still highway at midnight

Hoping to catch a hint, a great shape in the grass

Of one of them in labor,

Although this echoes across the dark:

Your mother’s Irish admonition:

“Leave well enough alone.”

.

Who wants to do that, or can?

On a mission, a low mezzo voice

Singing ballads on the radio

I pull off and step over to the fence:

There they are in mare stillness,

Mare privacy, new foals

Tucked against their flanks.

.

There is one beached on her side

In a lea nearby:  I think

I hear her straining,

That she is foaling, but she gets up,

Blowing, turning to look at me.

.

I am down this road again in my fifty seventh year

Come from the kennel I can’t leave behind

Dropping off two pups to give myself a break

Bedding them down, my ex asleep

Out in the open I was surrounded by sky, night sky

Whirling stars, standing beneath

A Van Gogh heaven–

.

Fifteen years ago now,

When my Arabian, Majesty, foaled on the Joder

It hailed on her due date

June 1–she started streaming milk

And I brought her in, took a break and then

I caught her on the sly:

I went out to the barn

Just at nine, and peering through a knothole

I could see she was down, looking at her side

And I heard the sound of the bag of waters breaking

And I could see the small hooves

Out of position, bottom side up

Under her tail.

.

I grabbed coveralls and Doug and I went in,

Got her up; you’re supposed

To walk them, to flip the foal; the foal

Should come nose down against his forelegs.

God forbid you should see back feet

Or have one get hung up by a shoulder.

.

This did the trick;

She wouldn’t do anything then but lie back down;

I sat behind her in the straw and then he came,

Sliding out like a porpoise, in a silver sack

With just a few pushes—and she was nickering,

Smart thing, veteran of all of this.

.

He landed in my lap, black colt

With a white star,

All miracle and legs and ears down.

In a second he sat up, shaking his beautiful head:

Smelling my hands.

.

Tonight I watch, out into the dark, a sentinel

Hoping for an epiphany

As if I could ken a birthing without a flashlight,

Discern the newest porcelain-delicate baby

In the dark:

.

Hoping to know it again, the emergence

Of a new living thing

The new joy of the mare

Even in great pain,

How a horse left alone to foal

Does it quickly,

Clambers up, breaking the cord

And whirls, nose down

Licking away the sac,

Guttural murmurs that mean “Get up, get up!”

.

But the mare I think might go

Has had enough of me and ambles off to graze

Or pretend to graze, until I’m gone:

I walk back to the car

Where my Golden, Tess waits in her crate,

Leaving the private nocturnal pasture

To the common lassitude

Of a herd in darkness

Removing the scent of a human being

That  lingered in the air.

Jenne’ Andrews

2006


Another Day on the Joder — Four Vignettes

My “wasband” Doug—for he was to have been my husband at one time— and I took the caretaker job on the Joder Arabian Ranch years ago before any number of things happened: before Bob Joder took a tumble from a grey stallion when he was cutting calves one afternoon, and had to learn to speak and walk again, before his wife Ellie who hired us, as we sat in a little trailer house cabled to sheer rock in the Boulder foothills, wind prying at the roof, had lost her fight with breast cancer.

Our year on the Joder came and went like a dream, before our yen for a piece of land of our own took us back to six acres just east of the stable where we had met, Doug sitting on his quarterhorse and me desperate to get my mare Majesty away from a proud-cut mustang gelding on my landlord’s pasture. I had seen him sitting on his pretty red mare and gone up to him to see if he had a horse trailer, had had to then find someone else, a ropin’ cowboy, who could bring her over to the little spot I had found with a trailer house not far from her pen and where Doug began to court and win me by first burying a kitten I had run over after I had gone to him with tears streaming down my face.

He continued to court me by fixing things, principally by making himself indispensable, by helping me paint my deck, and taking me out to dinner; by inviting me over to his place across the road with scarcely any furniture in it, reading to me from Don Quijote and feeding me green plums, and fastening his blue, discerning eyes upon me.

I was the one in fact who thought that we should, after all of two weeks together in an insanely joyous rutting frenzy, crazy about each other in a hurry, all pie in the sky about venturing out into the West together as teaching writers, take the Joder job as a base of operations.

I had gone to see the ranch, suppressing my agoraphobia enough to try the back roads behind Niwot, up Highway 36 out of Lyons, slowing down while wind shook my old Fairmont, to find the turn, a notch between two bluffs and a harsh, undulating rutted road that led to the nexus of the ranch—the barns, paddocks, the little trailers for the help on platforms of granite, the original Joder house on a hill behind us. I stood on the deck of the trailer that was to be ours if they liked us, and I could see Pike’s Peak far to the south. I could smell adventure on the wind.

The night that we packed the last of our secondhand things into a U-haul, Doug had second thoughts.

“I don’t think we should do this after all, “ he said.

I was floored. “Why? It’s perfect for us, to help us get on our feet. A salary and a place, a place to start out. We can’t turn back now.”

“I just have a feeling,” he said, meandering around our empty living room, as if he were about to begin unpacking everything..

And then we set off, early in the morning with our two mares, mine pregnant to a Polish bred Arabian stallion, Doug’s quarter horse Little Bit, and our dogs and cats.. We moved in to the little trailer and the next morning went out with Bob to be shown which of the dancing, impatient horses on the ranch got alfalfa, and which got grass hay, and how particular Ellie was about the stalls, that they should be cleaned a certain way, which I liked and made sense to me, and that Doug ultimately detested, finding us overly meticulous.

They showed us how to fire up the tractor to pull the rake and disc up the oiled sand of the indoor and outdoor arenas, and how to mix Valiant, and Amy, old Raffles-bred bay Arabians, direct descendants of the Crabbet stud in England, half of whose horses had been killed during the second World War, alfalfa pellets and water, all they were able to crush with their worn-down teeth.

We went up and down the rows of pens and memorized our routine and met the dynasty of small and exquisite white mares that had belonged to Anna Best Joder when the ranch was in its prime and the locus for the American Arabian Horse world.

We met Bob’s sister Pat and her partner Barbara, who lived in the house on the hill above us where Anna had published the Arabian Horse News. I poured through copies of the News, as I had as a child back in New Mexico, looking at the “foundation stallions”, their curved necks and huge eyes, starving for such a horse to carry me away from our adobe house in Albuquerque, over the blue Sandia mountains. I knew that such a horse could set me free, even if we were to die when we reached open water and went into it as one being.. .

In those days, as in these, I could never sleep. I ran on pure intention and at times, on desire for the eccentric and handsome man whose company I was keeping. I loved the blue gingham curtains in our trailer house on the Joder, and our little wood stove that Doug feared would ignite the whole place. I loved the two young Goldens we brought with us, Three Breezes Stetson and Three Breezes Katie, and my little terrier mix Duncan, my muse and surrogate child for nearly two decades, and I loved Moonlight and Holly, Doug’s cats, and of course I loved our mares and that we could keep them with us on the ranch.

For Doug, I see now, we had landed in the midst of a situation that was purely and simply going to mean relentless physical work. Hard work, up in the night and in the morning, and no time to yourself because the boarders would come and want things, and he would be tired, and I would want to heal short words between us by making love—in those days still, in my forties, my answer to most problems between a man and a woman.

Our first months on the ranch flew by in a cascade of windy days and hard work. I had Majesty vetted out to be sure she hadn’t slipped her foal on the journey from Fort Collins to the ranch. And then, just before Thanksgiving, as we lay under our comforter, the phone rang.

It was Bob Joder. “Look out the window,” he said.

I jumped up and went to the window, and looked down-valley, toward Boulder. I saw something amazing: undulating orange ribbons of grass, iridescent banners of fire making their way up the valley, toward us. I ran back to the phone.

“Wake Doug, “ he said. “Meet me at the hay barn.”

I went to our bed, where he was sound asleep. As gently as I could, I said, “There’s a fire. Get up.”

He bounded out of bed and rushed to the window.

“My God,” he said, throwing on his shirt and jeans, and then his coveralls. He went to the door and pulled on it. The wind had come up, gale force, a band of mad Sioux women come down from the hills. He turned to me.

“Put everything you can into the truck. I’ll be out there.”

Suddenly I was alone in the trailer. My heart pounded. I thought about the meaning of “everything.”

My first act was to corral our cats Moonlight and Holly and put them in a crate together for perhaps the first time in their lives. Then, it seemed to me that only certain and very precious things should be packed. I let the Goldens out into the dawn, into the pen around the house; bitter smoke was carried in on the wind. I could hear the horses screaming at each other down in the paddocks.

I counted down from a hundred under my breath to stay calm, grabbing my manuscripts of poems and Doug’s of fiction and our teaching dossiers, a check book, credit cards. I put two dog crates and the cat crate into the back of the pick up and then somehow I put in the dogs, and their food and a jug of water. I grabbed a few changes of clothes for each of us, Doug’s photo of his daughter and my engagement ring, a small blue sapphire ring with tiny diamonds, and put these things in a zipper pouch in my briefcase.

I was on the verge of driving over to the barn when I remembered all of the things I had made the day before for Thanksgiving. I rushed back into the house and loaded up our thawing turkey and grabbed a pan of cornbread, and a frozen pumpkin pie. There was no room for anything else. I had Duncan jump in to the truck and I got in and drove down to the barns.

Boarders were arriving and milling around; some were frantically saddling their horses. I looked up on the ridge over the ranch and saw fire torching the trees, and deer running ahead of it. The wind was now at 80 mph. My words were torn out of my mouth as I called for Doug. Then I saw him, down spraying down the hay. I drove down.

“Where’s Bob?”

“I don’t know.”

The horses were going crazy with fear of the fire. We had two huge paddocks and one paddock was too close to the trees and the draw down which I thought the fire might come.

“Let’s put them all together,” I shouted, pointing to the paddock on high ground with no sagebrush in it, about four acres surrounded by smooth wire. “They’ll be safe there.”

We turned all of the horses in together, horses who barely had a nodding acquaintance and were beset with panic. They raced together like one wheeling organism, one cluster of bird/dragon-like creatures over the hills, whinnying, tails up, calling to each other. Miraculously the fence held and the wing sang in our ears.

Suddenly Bob appeared, in his red truck.

“What are you doing,” he shouted.

I said, “We couldn’t find you. We did what we could to save the hay and put the horses together.”

He jumped out and came up to us. “We were driving around to see the parameters of the fire,” he said.

Completely oblivious to our exhaustion and frustration, he shouted, “We’re going to evacuate everyone to the Boulder County Fairgrounds. People are coming. You did a good job. Don’t worry.”

Suddenly I felt panic wash over me. Majesty was in her stall in the barn back near our house. She hated to be hauled in a trailer and at three months, I was sure she would slip her foal. I went to her and put on her halter. We loaded her, with Little Bit alongside, packing stock trailers with horses used to being together. Boulder County fire teams roared up to the ranch and positioned themselves and began blaring things we couldn’t hear clearly, on megaphones.

A Marshall came up to us. “You all know, don’t you, that airplane fuel is stored down in the old Beechcraft plant a few miles from here? Everyone needs to leave now, Stat..”

Suddenly we were in the truck. I looked back at our little house, where I had left many things of import to each of us.

It was a short drive to the Fairgrounds and people from other ranches with trailers-full of horses were all pulling in at the same time. The stables were all constructed of steel pipe; many of the horses were shod so that it sounded as though we had all plummeted into hell. We all led our prized possessions into stalls, people rushing everywhere to bring shavings and straw for bedding.I put Majesty into an end stall where she stood, ears up, shaking all over.

“Easy girl,” I said. “It’s all o.k.” I put Stetson and Katie and the crateful of cats in the stall next to her. Suddenly, I remembered the turkey; determined, I lugged it down to the fairgrounds kitchen where people were making coffee and setting up command central. They all laughed when I came in with a raw turkey the size of a newborn baby saying that it had cost good American money and that I hadn’t wanted to leave it behind. We put it in the fridge, with the thawing pie and my cornbread, sprinkled with alfalfa and ashes.

Finally, Doug and Duncan and I went to a little motel n the outskirts of Longmont. I lay next to him, my mind burning with the imagery of the day, my ears filled with the Valhalla of the move and the scene we had left, of the infernal clanging of shod hooves on steel pipe. I lay in the dark until darkness gave way to a cold motel room dawn. I held Duncan to me, who was forever content to be as close as we could possibly be.

The motel light shown in, with a half moon with the haze of smoke from the fire ringing it. I woke Doug and we had some instant coffee and some rolls I’d brought. He, having slept, smiled at me. “Let’s go see what’s up,” he said, gently.

I was in the agony of never resting I was inured to, the primary consequence of which has been to live in a faithless state despite coping, keeping on. I began to cry. He took me into his arms. “Just another day on the Joder,” he said.

We went back to the Fairgrounds and were told that the slurry bombers had put out the fire just before it got to the ranch, and that we still had a home.

I loaded up the animals again, and at the last minute, retrieved the turkey; we meandered up the road to the ranch. Reborn as veterans of an ordeal, we made a fire in our wood stove and I picked up where I had left off; I stuffed the turkey and basted it throughout the afternoon. We had been more than lucky, as some of the big wood-framed homes in the canyons had been devoured by the fire.

II.

On the ranch, daily life was all-consuming, all about survival. Winter was grueling, a cascade of frozen and windy days de-icing buckets, eating sawdust set aloft by icy wind, utterly at the mercy of the needs of the horses, of the weather. In our cabin fever we had harsh words at times, and scant forgiveness at others. This siege did give way to a warmer February and beautiful windy March on the ranch.

One day a little boy brought me a young pigeon that had fallen out of the eaves of the indoor arena. The bird was only a bit fledged, and seemed confused. “I think a horse got him,” the boy said.

I took the pigeon in and made him a cornmeal gruel.

“I don’t think that he got out of the way of one of the horses in time,” the little boy said again, helping me and watching me.

“Well then, “ I said. “Let’s call him Slow Eddy, and you watch and see if his mother comes down to feed him and we’ll keep him in a box the rest of the time.”

Eventually Eddy became a real pigeon and flew up into the eaves to be with his kind. This same boy, after his ride on his well-schooled little horse, would bring me fallen baby barn swallows with no feathers at all; he would find the sad little gaping things in the dust where the horses were tacked up, their pendulous nests having fallen and shattered..

“But you saved Slow Eddy,” he would say, when I said I didn’t think they would make it.

.

“I can’t save these,” I would say gently, ushering him back toward his mother.

Majesty grew fat on the mash I made for her every day. I loved to make this mash, with corn and molasses and oats and bran. I loved to flake the carefully selected sun-cured leafy alfalfa off the bales I had set aside for her.

At night I would go down to her stall when Doug was at work, having taken a night time spot in an adult education program in Longmont. I would brush Majesty, and put my head against her flank and see if I could feel her foal move. She would nuzzle me, and we would stand together for hours, shifting our weight from one foot to the other. I think perhaps if I had been born a horse I could have slept.

One day I decided to ride her up a draw that had been beckoning me from the north end of the ranch. I too was teaching, at the University of Colorado, but my heart was solely full of our adventures and I could never wait to get home.

By this time she was fat and sleek, due to foal in about three months, gestation being eleven. She loved to be ridden; as we set off she would lift her head and walk in that proud, long Arabian way, her eyes great, dark, and glistening, her ears pricked for all that she could hear. She, like many Arabians, was “neurasthenic,” sensitive to the least sound, the smallest ripple of breeze in the grass. Riding her was always unpredictable, as she would suddenly stop, pretend to bolt, and immediately settle herself down, quickly deciding that a dog rushing a fence, or a plastic bag caught by the wind, taking on its own life out of a trail-head trash can, was nothing to worry about. Meanwhile my heart would be pounding out of my chest, but I would always feel victorious about staying on her and with her in such a moment..

On this particular day, both of us feeling confident, we climbed the gentle draw on the north end of the ranch. We were climbing and climbing; suddenly the trail narrowed and there was just a foot on either side. I consciously relaxed and kept my heels down to stay in balance in the saddle.

Suddenly, she froze in her tracks, one ear cocked back. We were on the incline. She began to breathe quickly. Then her whole body tensed and I could feel that she could care less that she had a rider on her back. She turned her beautiful, chiseled head, seeing something, and her nostrils flared.

When she began to tremble, I knew that I would have to find a way to get off instantly. There would be a wreck if I tried either to rein her in or to stay on. I looked down to the tiny ledge next to me, knotted the reins around her neck, and vaulted off, and crouched, clinging to some tufts of grass.

Majesty reared, pivoted on her back legs, and dashed down the trail. I looked up, and saw, coming up the valley, an enormous translucent hang glider sans its pilot; it looked like a giant prehistoric dragonfly as it drifted up the draw toward us. I caught my breath as it floated up over the spruce-covered hills and disappeared.

My legs were rubbery as I walked back down the trail. I could see that it was several miles back to the ranch and my heart sank. I thought as I walked of another ride on another horse, several years earlier, when we had become stranded on a rock field near Horsetooth Reservoir outside Fort Collins. At that time those with me, also stranded, had said, “You need to learn to trust your horse.” My mare had picked her way down through the rocks like a mountain goat, even though she was shod. Such is the prowess of the Arabian.

I rounded a bend in the path and a large lichen-covered boulder that obscured my view. I saw a horse, head down, grazing, on a level patch of meadow just off the trail. The horse lifted its head and turned toward me, and called. It was Majesty, waiting for me. Her eyes said, “Where have you been?”

“You’re a load of trouble, horse,” I said, walking up to her, putting her reins back over her head and climbing aboard. We headed down the path to the buildings clustered below us, the Joder glistening in the afternoon sun, light glancing off the aluminum roof of the hay barn, woman and horse compassed to the familiar.

III

As we neared the ranch on that day of my ride I saw to my surprise that Doug had not yet left for work. Worried, I put Majesty away and ran to the house. He was in the bathroom, shirt off, shaving.

“What is it. Why are you still here?”

“You missed it, “ he said.. “Go look in the ash can.”

I ran outside, and took the cover off the aluminum can in which we kept the ashes from the wood stove.

There, to my astonishment, was a great matriarch rattler, coiling and uncoiling. Her head lay in the ashes next to her, gaping, her fangs dripping venom, hideously angry in death.

Doug then said that he had heard a commotion in the yard and gone out, to see the dogs standing around something. When that something, brown and sinister, undulated back against its tawny trunk, when he saw the tongue flickering out of its mouth, when he heard something like a gourd of pumpkin seeds being shaken by a Hopi dancer and a hissing like someone pouring out cold coffee over a campfire, he knew the fabled Enemy had come and that the dogs were in mortal danger. He had gone to the door in his jockey shorts, shouting up the way to the women tacking up their horses.

Per usual the wind was at fifty knots and his words were torn away from them; all they saw was a thin man in the doorway in his underwear, his mouth making barely discernible shapes, gesturing. They had smiled to themselves and turned away; perhaps he had been drinking.. In desperation then he had pulled on his boots and grabbed the shovel and gone out, dispatching the snake by chopping off her head.

I got versions of the story from girls and from women and to this day laugh when I think of the scene and how he must have appeared. I gave the rattler’s head to a little boy scout; perhaps he has kept it among his own memorabilia of the West.

IV

Winter finally left the Joder, loosening its sallow fingers, so that for a time all was awash in muddy, rank water. Then, glorious foothills spring. Lilacs around the barn, and chittering swallows swooping back and forth to feed their fledging babies. Clouds moving in low constancy, releasing rain and moving on into the forest.

Now I was watching videos of foaling mares and preparing myself to go on duty at any time of day or night. Majesty was enormous; my vet came to check her.

“How do you think she looks?”

“You could eat breakfast off her back,” she said.

In fact, Majesty was dripping first milk; not good. I was to collect this substance, the colostral milk with antibodies in it, and freeze it, to feed back to the foal.

On her due date, the eleventh of June, I was bathing her and braiding her tail when the clouds came in. Suddenly a hail storm began pelting the tin roof under which she stood. At once, she began streaming milk, tap dancing and nickering.

I took her in to the stall I had meticulously layered with shavings and fresh straw. I checked my kit: coveralls, rubber gloves, twine, a baby’s nasal bulb, a bucket of fresh water, a Fleet enema for the foal..

Mares are legendary for their secrecy; they can keep the foal in for the whole first stage of labor and I thought that she would do this. I went in and out quietly to the barn, peering through a knothole. She was restless, pawing at the straw, getting up and down.

I went out at nine; all was quiet. Suddenly, I heard the sound of water. I looked through the knothole; she was down. She was looking toward her tail; I saw a pair of hooves there. She was breathing heavily. I stepped around, speaking to her quietly. She instantly got up. I talked to her while I put on Doug’s coveralls. Then I heard his truck coming up the driveway.

I raced out. “Run!” I shouted.

He dropped his briefcase and came into the barn. She was down again, straining. It seemed to me that the foal was out of position; I was to see the front hooves pointing downward, but they were pointing up.

“Hurry. We have to get her up,” I said. We clipped on the lead rope and got her on her feet. I saw the feet flip as she went down again. Now I sat down behind her and she began intense, moaning contractions. In seconds the sack broke; I was bathed in fluid; I took the foal’s forelegs, pulling downward with the contractions, eased its shoulders free, and cleared the membrane from its nose as it slid into my lap. Majesty nickered and lay still. The foal lifted and shook his head, his ears wet and down.

“Look at him. Look at him,” I said. “Hello beautiful baby. Welcome to the world.”

We toweled him off and Majesty got up. We stood back, and she nuzzled and licked him as the vet pulled in.

“Heat the colostrum,” she said. There he lay, black and beautiful, with a white star. We were admiring him when he suddenly whinnied in a high, thin voice to his mother, and tried to climb to his feet, falling back into the straw.

We were so rapt that I forgot that the stove was on. I rushed in but it was too late; I had boiled the milk and it had separated.

We capitulated to the anxiety of our vet, I see now, as we were dispatched to go from farm to farm in search of mare’s first milk. Finally, I found myself down on all fours collecting milk from an enormous mare whose huge chestnut foal lay in the straw; she was as placid as a cow although she didn’t know who I was. We fed this rich, redolent milk back to our beautiful foal.

In the morning we went out with our coffee. All of the horses on the ranch came to the fences and called to the foal. Majesty stood over him, and he nursed, and cantered around and around, gaining ever more confidence.

That night we lay in our bed on the Joder Ranch, in our exhaustion and star-crossed state, two come together over longing and the love of horses, two who had thrown their lot in together and gone for broke when it seemed that there was a clear path up a formidable mountain.

The colt instantly became the centerpiece of our life together. On the second morning, we had gone in from the house after watching him. We sipped our coffee. Doug kissed me, smelling of the alfalfa and dust of the Joder Ranch. “That was a dusty kiss,” he said. Dusty Kiss aka D.K. became our foal’s name.

The place that we built later that year when we left the Joder surrenders to time; the corral rots with each winter and spring; animals are born, age and die; feral cats multiply and foxes carry off the kittens. Down along the creek by the apple tree, graves proliferate.

So it is that attrition has befallen us and we do not know how many acts are left in the play. But I still cherish the line he used whenever things happened—“It’s just another day on the Joder,” the man who spoke that line– and that we lived all of this together.

Jenne’ R. Andrews

January 22, 2008


The Ultimate Interview…

Unrepentant, Waiting for the Muse....

We are seated in my living room; I have asked to be interviewed at dawn, when I am at my sharpest– a few hours of rest, some coffee, my brain in gear from watching Morning Joe and Shaun White’s stunning gold medal pull-off, Lindsey Vaughn’s downhill run despite her bruised thigh, wipe-outs and snide pokes at male figure skating. Our man in black the other night all alone on the ice did look Tinkerbell-ish, but…go Team USA, “medalling” is tres fabu-luth…

The interviewer seems to be a sensitive, open person; she comes in and sits in my white wicker rocker.  She welcomes a cup of coffee with cream and sugar, setting it on the table beside her.  She gets out a yellow pad and uncaps a pen.

“I guess I’ll start with the obvious question.  What drives you to get up and write at this hour?”

“Desperation.”

She looks startled.  ”What do you mean?”

“If I write something each day, it means that I have at least a few of my oars in the water.”

She looks at me somewhat apprehensively.

I try again.  I have noticed that the male pundits on cable typically preface every comment with “Look…”

“Look.  After years of trying to be many other things and do other things, I have to face that I’m a writer.  I write because I can’t help it. If I don’t write, I get depressed, and then I blow off the entire day.”

“Can you talk a little more about what it is about writing… is this therapy?”

“Sure.  It’s therapy in a way, but mostly, it’s a matter of a compulsion to articulate things.”

“What kinds of things.”

“How things are.”

“You know, you’re not giving me much.  I need specifics, if you want me to work up your story and post it on my site at They WriteThey BlurtThey Break Wind.com,  so people will read you.”

I start over.  ”Sorry.  I hang with someone who talks monosyllabically a lot.  He’s into using as few words as possible at any given moment, even though he’s a writer too.”

Anyway, I write because I love language, I love making something out of language.  I love to paint a picture with words, tell a great  story or write a poem that tells it like it is: I love to write passionately and precisely; my latest poems are very emotional but contained somehow; the form forces me to be definite.  I’m writing memoir too, vignettes, unearthing memories now tinged hopefully with humor, showing…hopefully, because it’s important to write truths– the pathos of the past but that over time what seem like ordinary experiences turn out to be extraordinary and that within each narrative there is a seed of redemption; in writing the piece I claim the things that happened and make them mine…they offset what has been a rather bleak life the last few years.”

She is writing furiously now.  ”May I have some more coffee?”

“Sure.”

“Let’s talk about where you think you’re going.”

“Well, into an early grave, if I don’t write.”

“Can you be more specific.”

“I mean that in the past two months it’s as if I am waking up after a quarter of a century straying from making art.   Just call me Jen van Winkle.   I mean, I kept writing but at some point I lost my confidence, I stopped caring about it and me and I put all my energies into caretaking….”

She looks confused.

“Caretaking. Caregiver’s Stress is actually in the DSM IV.  You may not know that it’s a real problem for a lot of women; it’s why some women get so mad that they shoot people.    Anyway,   I am in many ways the product of my generation and my mother’s generation.  When feminism came along many women artists and writers answered the call to be more than housewives.  I tried, and I was never actually a housewife, but I blundered into relationships and moved into farm houses and got lots of creatures so that I was on duty and nurturing all the time.”

“Why?”

“When I lived alone in the city and tried just to be writer and just to take care of me, it was too lonely.  I couldn’t spend hours alone in an apartment looking out at the sky now and then, writing and writing.  I needed people.  I went to bars.  I drank a lot and discovered I was a real entertainer.  I became a party girl.  What I’m doing now is just an extension of how I would go over to people’s houses and guzzle their wine and tell stories about my various encounters and my crazy family for hours.”

“But you published; you have written that your career took off during your city years.”

“That’s true, in and around my escapism and self-medicating, it did.”

“So what happened.  How did you come to leave the city, how did it affect your work.”

Well, it was the spring of ’78 and my father had died, a relationship was in the ditch, my job came to an end– the money ran out– I think I was tired.  I think I just thought, well, I’ll go home to the West for awhile.  I got back, and there was a lot to do.  And, I gave myself a very grueling physical life, cooking, raising animals, living in the country.  I didn’t know how to set limits on how much of myself I gave to these things.  I’m not sure I know how to balance these things now.  Like I said, caregiver’s distress.”

“Children?”

“No children. l Tried many times.  I have a fibroid or something…it’s been there for years.  It showed up on a vaginal ultrasound, like a tenth planet, right in my uterus.  Ever had one of those?”

She clears her throat.  ”I bet your relationships gave you interesting material.  Marriage?”

“One year, to a psychology major five years my junior. I met him while I was in a psych ward.  He was a mental health assistant.  He came and sat with me and held my hand and two weeks later, quit his job and moved in with me.”

“Amazing.  Written about that?”

“Not yet.  Notes.  I’ve gotten to the part where before he popped the question I found him in bed with someone else, rammed his car up onto a hump of snow, got out of my car and put a snow shovel through her front window and baptised him with brandy when he came out of her room naked.  He proposed the very next morning.  But, yeah,  one year.  I wasn’t cut out for marriage.”

“How do you know that?”

“Well, I think I just gave you a big fat clue.  But you should interview him.  He’ll tell you why in a very short sentence.  I guess I feel confined, on duty, under pressure to live up to somebody’s expectations.  I mean, I always thought I’d get married… and I did, but ultimately I see now that I just don’t do well sharing the same space with someone..or they don’t do well sharing the same space with me, either way. “

“So what about now?  what are you working on.”

“Well.  I have lots of things I’m “working” on…there’s just not much time.”

“Hold it.  Why not.”

“Well, I’m pretty worn down, used up, from hard things.  I’ve written about them and I’m not going to post all of them here, and I hope to bring out a book of memoir, we’re all like lemmings leaping into the sargasso of our personal pasts, hoping that they’re interesting, trying to write memoir.  I’m trying to figure out the memoir boom.  Anyway, so I’m working on memoir by writting vignettes, pieces.  It’s not quite right to call them vignettes because they’re autobiographical.  Nobody knows what to call such things. They’re just compulsive pieces of writing all about your self, but at least I’m writing again.  That’s what I tell myself.”

“I suppose “blog posts” doesn’t do them justice.”

I give her a sharp look.  ”Sometimes.  But generally, I don’t think so, in my case…. I find that I like posting engaging, evocative pieces…. people are being very kind and supportive and I need that right now, after thinking for so long, in spite of the validation I had when young, that I’d lost it, my edge, that I wasn’t a writer anymore.”

“Wow.  So, you’re writing memoir, and it sounds like you think, even though lots of Americans live into their eighties and nineties now, that..you’re kind of in the twilight of your life…”

“Right. And a novel.  I started working on a novel.  Everybody wants to write a novel and have a ‘debut’ novel and at 61 going on 30 in real-time, I do too.  I want to take the world by storm and write something really good.  But I think my debut is going to be my finale and I will leave behind a very small ‘”oeuvre.’”

“Don’t you love that word?  It’s so elegant, and you pronounce it so beautifully.  I suppose you know French?

“Nope.  I know some words.  I know Spanish…I’ve actually made love in Spanish…and in Italian… I know how to say, ‘It’s dry there.  Put a little olive oil there.– e’ seco ancor, olio di olivi, prego..grazie, bravo.”

“Do you have an idea for a novel?”

“I do.”

“What is it.”

I lean forward.  ”Well..look:  you know I did a Google search yesterday to see if anybody had written about this the way I hope to…but it’s about a bunch of whores on the American frontier who get tired of living on their backs and decide to steal a bunch of horses and drive them all the way to …

“Really?  You know, that sounds a lot like a spin-off of Lonesome Dove, when the ex- Texas Ranger  Woodrow Call decides to take cattle to Montana Territory….”

“Yeah. You really can’t help being derivative these days.  Everything worth reading has been written already, practically… But you’re right, it is a spin-off.  I started thinking about how Lonesome Dove is all about the power and mobility of men– except for one woman character and she holds down a ranch, but one of the characters is a prostitute and she is portrayed as so fragile and vulnerable…enough already– I bet the women of the mining camps and prairie towns who survived by turning tricks were actually pretty strong.  They were just practical.  They found a niche market.”

“Nice. “ The interviewer is musing, reviewing her notes.  ”Is this your serious work?”

“Well, it’s serious, yes, I would say that if you plan on writing something for as long as it takes to write it, you’re serious….  I should really be thinking about surgery on my deformed, improperly healed broken leg, even perhaps launching a lawsuit over the whole mess, but that depresses me.  It doesn’t depress me to write about whores in rebellion in the male-dominated Southwest… I hope to write one or two pages a day and see where it goes. “

“Have you started?

“Sort of.  I have a character in mind….”

“What about a title?  Got a title?”

“Glad you asked.  Westward the Ho’s.”

It's only money honey...


Winter Mares

Our old mares readily fade in the dusk; sometimes I think that I can see through them– distance, the outline of mountains, the bare trees of winter.

Two barren old mares, two old dowager aristocrats. Today they were side by side with heads down, at the height of day.

Then, one folded up her legs and lay down.  The other looked at her, looked over at me, pricking up her ears; then she too folded her legs and settled against the warming earth.

Around Thanksgiving, we had one grey mare and one sorrel mare.  Our sorrel mare had a very bowed leg, somewhat like mine.  She had graced the pastures of the acreage  for many years.  One morning she  began to lie down, and have trouble getting back up.

We let her go then, into the good sleep.  My dowager mare April stood over her, lingering there far into the night.

I had worried about one horse being alone, and so had another mare brought over.  She came with papers that I researched, burning the midnight oil, in a search that took me to the Nile Valley, to Libya, to England.

For a time she stood off alone at the edge of the field. Over the winter they have come closer to each other, standing in alabaster stillness in the twilight, barely visible slow-moving shapes under the stars.

The oldest of the two, April, now in her 28th spring and stocked up so that she walks stiffly,  is the one I fell from, ripping my leg out of the stirrup. It was my fault; I hadn’t checked the cinch.

The youngest, the new arrival Bronte, beckons me with her oblong dark eyes.  She is used to being hugged by a woman, brushed, and raced around barrels in a sandy arena.  Perhaps I will find a proxy, a college girl to untangle her mane and take her out on the trail.

In two months the delicate grass shoots will pop up one warm afternoon and they will drop their heads and graze all day.  The lush grasses in the loamy clay along the creek will grow and bend; young cattails will come back to life in the creek bed and redwing blackbirds will fly into them, swaying there, singing.

ii

In my apartment in town, on a round cherry table given to me long ago, I have a photograph of myself on a grey mare,  her dark colt standing against her flank, looking at the camera with his ears up.

During a cloudburst in June she had stretched out in hock-deep fresh straw, pushing hard, nickering, and he had slid into my lap.  Within hours he was up and nursing and within a day or so we were all off together, riding up into the cleft in the mountain behind the Joder Ranch.

In the photograph I am caught in time, my hair dark,  a pink turtleneck, black jeans, old boots, and a black Western hat shading my eyes.  I am smiling.  Shortly after the photo was taken I raced into the arena to show off the colt, tearing around at a dead gallop.

One day I rode out with the colt following and a pack of coyotes saw us.  They came toward us and we took off for the ranch, the baby running alongside, keeping up.

I go out to see the two grey mares each day.  They look at me with their k0hl-rimmed eyes.  Tess sits next to me in the  truck, and we watch them until they fade back, blending into the dusk, the mountains, the pale sky.  The first stars come out; the Big Dipper spills light over the creek.

When I was a little girl I saw a movie about two children stranded on an island. They had a white horse with them, and they climbed on her back and she swam out.  Then the movie faded to blackness.

One day I will ride out on a grey, dark-eyed mare to meet my family at the river.  They will all be gathered there, their woes abated and their wounds healed; they will be waiting for me,  on the backs of the horses that faded into light before my time.


At the Mercy of Royalty…

I still think of her stepping daintily down the graveled drive, looking off to the West, stopping and listening and then making a small sound with the undertone of futility.

She had earned her name when she had moved away from me in the front seat of my pickup, turning her head away and putting her face in the corner between the seat-back and the door. 

“Well then, be that way, your majesty,” I had said, keeping one eye on the highway. “Your highness, I dub thee Queen Noor.”

I had rescued Noor from the stewpot, at the Centennial Livestock Auction.  She had been booted out of the chute by a tobacco-chewing young man with the brim of his Western hat down over his eyes, one toe of a worn boot at her bottom.  She had stood in the bright lights of the arena alone, when the bidding started and many brown hands shot up– attached to the arms of Mexican ranchers.

I knew why they wanted her:  she was plump, and if you liked “cabrito”, stewed or roasted goat, she would even appear delicious, standing there in a daze. 

No one was willing to go up over twenty-five bucks and so I got her for thirty, and loaded her up in the front seat of my Ford Ranger, driving back along Highway 14 to pick up 287 to home, six acres with a doublewide, a horse set up, my kennel of Golden Retrievers, and a shed and pen where I housed several goats I milked twice each day.

I don’t know why I thought I needed a pygmy goat, which is what Noor was; unless you were a very tiny person, such as an aborigine, you couldn’t milk them, and she wasn’t “in the milk” anyway.  She also had a pair of formidable looking curved, sharp horns, which could be a problem.  It seemed to me,  however, that she was pregnant, that her kids would be conversation pieces, and that she might make a sweet weed-eating pet, fitting in nicely with everyone else.

I turned her in with my milk does and she promptly went on a rampage, lowering her head, pawing the dirt like a miniature bull, charging them and scaring them to a corner of their pen.  That wasn’t going to work.

I moved her into her own palatial set up– my red minibarn, its own fence wrapped around it, bedding it with shavings. 

Several days after I got Noor, I noticed that she had begun to paw and nest, and get up and down.  I thought it would be a good idea to stay with her at night, in case. 

Down to the shed I took a comforter my good friend, then housemate Andrea had given me, that I both treasured and relied upon when the north wind sliced into my bedroom.  I draped myself in the comforter and lay down next to Queen Noor, with my arm around her.

What goes through the mind of a goat when something like this happens?  She lay next to me, breathing heavily, seeming not to mind my presence.  The floor of the minibarn was hard, inhospitable.  We dozed.

Early in the morning she jumped to her feet, and began to bleat, pawing frantically.  I got up and rolled up the quilt and got it out of the way.  I went into the house and got Andrea. 

Noor lay down and stretched flat out and began to push.  Out popped, one after the other, two small, stillborn kids.

To Andrea’s dismay, as an up and coming microbiologist well acquainted with the private lives of all kinds of bacteria and viruses, I tried to resuscitate one of the kids.  This was of no use; they were gone. Noor stood over them, murmuring to them, licking them. 

I took the kids away,  laid them in the shade and poured chipped ice over them.  I knew what I had to do, and I wasn’t sure I was up to it. 

Before the renderer came, I skinned one of the kids, weighting the skin down with rocks, salting the underside to help it dry.  I drove out to the feedlot on the county line and bought a lamb for five dollars from a man whose job it was to drive through the sea of sheep saving newborn lambs when he could, and selling them off to locals for five bucks a piece,  who would then fatten them up or if they were wool-bearing, add them to their herd.

Then I had two problems:  a bereft mother goat, and a newborn lamb.  I stopped at the vet supply store for the things I needed to make sure the lamb got off to a good start; goat colostrum– first milk– penicillin, syringes and needles, and a vaccine for the early things lambs get. 

I drove back home, this time with the lamb on the front seat, on a towel, a lamb as bewildered as Noor had been, its ears down, mute, hungry.

I brought my charge in and gave it a bath, dried it under a heat lamp, fed it a few ounces of warm formula, and tied the goat skin on to it with baling twine. 

Very satisfied with myself and my ingenuity, feeling like a true Woman of the West, I strode back out to where Noor stood with her muzzle against the fence.  I took the lamb in and set it down near her, and stepped back.

She sniffed the lamb, and backed away.  The lamb bleated and tried to approach her; any mama would do.  Noor lowered her head and I grabbed the lamb and picked her up in the nick of time. We went through this any number of times.

Finally, Noor permitted the lamb to lie down and doze in the sun.  She had stopped crying for her kids, but she threw me baleful looks while she mouthed her hay. 

Meanwhile, I went on duty to the lamb.  I fed her every few hours, from a bottle with a special nipple to prevent too much intake.  I began to bond with the lamb; Noor didn’t.  When the lamb tried to suckle, she would kick it away or whirl with her head down.

When they had settled down for the night, albeit a few feet apart, I got some rest.

I went out in the morning and was brought up short by what I saw. 

If you ever try this, don’t salt the goat skin.  The skin had dried, loosened, and rolled up around my lamb’s neck like a bow tie.  And, Noor was never going  to nurse this lamb; it was quite apparent to her that this was not one of her babies.

Still, when I picked the lamb up to feed it, she would stop eating; her eyes would follow me.  Clearly I had succeeded in providing her with a distraction.

Illustrative of my determination and perhaps that I was losing my mind, I subsequently got Noor an entire herd, including a pygmy buck I named Harley.  This seemed to bring her a small measure of happiness.   Harley hated everyone and everything except breeding.  He would skewer the does in a thirty-second rut and fall over on his side.  The rest of the time he would slam into everything that moved and many things that didn’t. 

Emily the lamb and I went about our business, and when she was six months old she went to a family to be a 4-H show lamb.

The whole thing is but one short chapter in a twenty-five year saga that is the reason I have been too exhausted to write.


Sunday’s Music: Wind

 

Oh, the wayward wind is a restless wind
A restless wind that yearns to wander
And I was born the next of kin
The next of kin to the wayward wind

This morning a low and uninvited music invades the corner of my living room I have liberated to be my writing place.  It is the low- to- the- ground Western wind, rising and falling in a soliloquy to winter.

The wind invades my apartment through the air conditioner I still–although it is late January– have not covered with a piece of plastic sheeting. 

I sip hot French Roast coffee with canned milk and plenty of sugar.  I have set my mind on writing one post a day, like plein air painters paint one small painting daily to push on and improve their technique. 

I am distracted by the mourning of the wind when it becomes trapped in the corner where my brick apartment in our fourplex meets the corner of my neighbor’s home.  I am reaching for a way in, first words, and the wind caresses my ankles.

Finally, to companion myself against the wind, I begin to play the Bach B Minor Mass.  “Credo, credo in unum deum,” the choir magnificently sings, hitting every melisma in blissful harmony;  I can see Robert Shaw with his baton, pointing at the tenors:  “Now, give it to me.”

I can see him look tenderly at the sopranos, smile, and barely flick the baton at the entrance point in a spectacular textured riff that is quintessential Bach.

Beneath the Mass, countering the precise, joyous singing, persists the moodiness of the wind.  Perhaps it is reminding me of what seemed interminable years of lying in my bed in my small lemon yellow room in our adobe house in Albuquerque.

In those days, the wind was my companion. Its music would prompt me to go to my bookcase and pull out Robert Louis Stevenson’s A Child’s Garden of Verse.  I would lie back down, nestling into my pillows and open the book.  The wind would peer over my shoulder at the page, gusting through the cracks in the caulking around the window to the north.  The adobe walls would cool from the caresses of the wind; I would keep reading:  I would first read “I should like to rise and go/where the golden apples grow”, opening the book wide to savor the shimmering lines of poetry, losing myself in the illustration: a green and gold and blue drawing of the Nile River Valley, with little tents, camels tied outside, miniature sheiks on exquisitely formed horses, galloping in place from the page.

The wind would lift my hair while I read “The Owl and the Pussycat put out to sea….” 

These were the days before I had a small new brother whose diapers it was my job to inspect hourly, reporting any emergency thereto, trotting out to the kitchen to be handed a warm bottle of formula, back again, lowering the slatted gate of his crib and plugging his small mouth with a red rubber nipple.

These were the days before my parents conceded to themselves and one another that I was very lonely, and on my sixth birthday, led me to the swinging kitchen door, where I could hear a tentative scratching:  I opened it, and there stood a tiny black and white puppy with liquid brown eyes, displaced, frightened, tail wagging furiously, looking up at me. 

While I read, trying to lose myself in the pages of A Child’s Garden of Verse, the wind would pick up the pace, puffing up my sheer dusty curtains, lifting the gingham skirt around my great grandmother’s bird’s eye maple dresser.

Finally, I would acquiesce to the wind.  I would get up, and put away my book, and straighten up my bed.  I would put on my small pair of cowgirl boots, and get my Western hat out of the closet, securing it with a strap.  I would reach for my stick-horse where it stood in the corner of my room– a branch my father, a forester, had found on one of his many trips into the mountains; this find had at one end the perfectly and distinctly formed muzzle, head and ears of a pony. 

By then I would hear another sound in our house.  I would hear the rise and fall of an angry woman’s voice, a voice rendered unintelligible by slurred speech.  The crash of a scotch glass against the wall would be my exit cue.

I would slip out the back door into our patio in my regalia, with my stick horse.  I would quietly open the back patio blue pine gate, mount my horse, and set out, tasting freedom.

I would face straight into the wind, sand stinging my my eyes.  I would ride into forbidden territory– a strip of dirt road behind our house that divided the adobes on Rio Grande Boulevard from what my mother termed “the Spanish American neighborhood.”  I could hear laughter and music from that neighborhood but I would keep on, on the way to the irrigation ditch running through the copse of ancient cottonwoods that lay ahead.

The wind would follow me, pleased to have company.  It would tease me, lifting my hat.  I would hum “Don’t fence me in….” riding to elude loneliness, toward the adventures longed for by my child’s heart.

I have not managed to elude loneliness, although fifty odd years have passed, even though my beautiful Golden Tess lies next to me, even though the choir rapturiously sings “Pleni sunt coeli…”  The heavens are full of thy glory.

I pull on my grey sweat pants, locate my brown mohair beret, grab my car keys and with Tess, go out in the walker to my steed, my beaten up Ford Ranger pick-up.  I should like now to rise and go, where the golden apples grow….perhaps along the way out to the country for a drive I will see a child riding along the road on an imaginary horse, and she will be lost in some reverie, turning her small face to me.


Follow

Get every new post delivered to your Inbox.

Join 28 other followers